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kurtfroman. Suzanne Farrell and Peter Martins, “Duo Concertant”, 1982, Photo by Ma

Suzanne Farrell and Peter Martins, “Duo Concertant”, 1982, Photo by Martha Swope #duoconcertant #balanchine #nycb #newyorkcityballet #suzannefarrell #petermartins #stravinsky #newyorkcityballet #balletarchive #kurtfroman #marthaswope

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kurtfroman. Suzanne Farrell and Peter Martins, “Duo Concertant”, 1982, Photo by Ma

Suzanne Farrell and Peter Martins, “Duo Concertant”, 1982, Photo by Martha Swope #duoconcertant #balanchine #nycb #newyorkcityballet #suzannefarrell #petermartins #stravinsky #newyorkcityballet #balletarchive #kurtfroman #marthaswope

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kurtfroman. The extraordinary talent of Victor Castelli and Merrill Ashley, “Symph

The extraordinary talent of Victor Castelli and Merrill Ashley, “Symphony In Three Movements”, mid1970s, photos by Martha Swope #symphonyinthreemovements #nycb #balanchine #merrillashley #victorcastelli #marthaswope #kurtfroman #balletarchive

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kurtfroman. The final pose of “Walpurgisnacht Ballet”, 1985, photo by Martha Swope

The final pose of “Walpurgisnacht Ballet”, 1985, photo by Martha Swope, Suzanne Farrell and Otto Neubert @oneubert1 #faust #marthaswopephotography #kurtfroman #balletarchive

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kurtfroman. John Taras rehearses Heather Watts and others for his “Daphnis and Chl

John Taras rehearses Heather Watts and others for his “Daphnis and Chloe”, mid1970s , photo by Martha Swope #nycb #johntaras #heatherwatts #nycb #kurtfroman #balletarchive @heather_watts_watts

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kurtfroman. Quadruple grand jeté from Merrill Ashley, taken from various performan

Quadruple grand jeté from Merrill Ashley, taken from various performances of “Ballo Della Regina”, mid to late 1970s, photos by Martha Swope #merrillashley #ballodellaregina #marthaswope #nycb #grandjete #kitrijump #kickyourhead #ballet #balanchine #virtuoso #kurtfroman #balletarchive

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kurtfroman. Peter and Suzanne in the Dance In America filming of “Chaconne”, 1978,

Peter and Suzanne in the Dance In America filming of “Chaconne”, 1978, photo by Martha Swope #suzannefarrell #petermartins #chaconne #nycb #balanchine #glück #danceoftheblessedspirits #kurtfroman #balletarchive

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kurtfroman. Merrill Ashley discusses the evolution of the end of “Ballo Della Regi

Merrill Ashley discusses the evolution of the end of “Ballo Della Regina”— from pique turns in a circle, to fouettés, to inside fouettes, to turns from fifth. From the Balanchine Interpreter’s Archive #merrillashley #ballodellaregina #deborajowitt #nycb #kurtfroman #balletarchive

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kurtfroman. “Walpurgisnacht Ballet”, 1980, Heather Watts, photo by Martha Swope #w

“Walpurgisnacht Ballet”, 1980, Heather Watts, photo by Martha Swope #walpurgisnacht #walpurgisnachtballet #gonoud #heatherwatts #nycb #newyorkcityballet #kurtfroman #ballet #balletarchive @heather_watts_watts

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kurtfroman. “Walpurgisnacht Ballet”, 1980, Stephanie Saland, Heather Watts, Susan

“Walpurgisnacht Ballet”, 1980, Stephanie Saland, Heather Watts, Susan Hendl, photo by Martha Swope #walpurgisnacht #walpurgisnachtballet #gonoud #heatherwatts #stephaniesaland #susanhendl #nycb #newyorkcityballet #kurtfroman #ballet #balletarchive @heather_watts_watts

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kurtfroman. “Kammermusik No.2”, Colleen Neary, Adam Lüders, Sean Lavery, photo by

“Kammermusik No.2”, Colleen Neary, Adam Lüders, Sean Lavery, photo by Martha Swope #nycb #marthaswope #colleenneary #adamlüders #seanlavery #kammermusikno2 #kurtfroman #balletarchive

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kurtfroman. Heather Watts and Bart Cook, “Symphony In Three Movements”, 1982 Strav

Heather Watts and Bart Cook, “Symphony In Three Movements”, 1982 Stravinsky Centennial, photo by Martha Swope @heather_watts_watts #bartcook #myidol #nycb #balanchine #symphonyinthreemovements #marthaswope #kurtfroman #ballet #neoclassical #leotardballet #balletarchive

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kurtfroman. Heather Watts as the Soloist, leading her pack of beauties in the fina

Heather Watts as the Soloist, leading her pack of beauties in the final moments of “Walpurgisnacht Ballet”, 1980? Photo by the incredible Martha Swope @heather_watts_watts #heatherwatts #nycb #marthaswopephotography #faust #balanchine #longhair #fastfeet #kurtfroman #balletarchive

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kurtfroman. Heather Watts and Peter Martins in “Tchaikovsky Piano Concerto No. 2”

Heather Watts and Peter Martins in “Tchaikovsky Piano Concerto No. 2” (a slightly modified version of “Ballet Imperial”), 1981, photo by Martha Swope #heatherwatts #petermartins @heather_watts_watts #nycb #balanchine #kurtfroman #balletarchive #pc2 #tchaikovskypianoconcertono2

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kurtfroman. Gelsey Kirkland in “Valse-Fantaisie”, 1973 #nycb #balanchine #glinka #

Gelsey Kirkland in “Valse-Fantaisie”, 1973 #nycb #balanchine #glinka #valsefantaisie #gelseykirkland #kurtfroman #balletarchive

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kurtfroman. The iconic Karin von Aroldingen and Anthony Blum in the Elegy from “Tc

The iconic Karin von Aroldingen and Anthony Blum in the Elegy from “Tchaikovsky Suite No.3”, 1970 @margomanhattan #karinvonaroldingen #anthonyblum #tchaikovskysuite3 #balanchine #kurtfroman #balletarchive

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kurtfroman. Heather Watts and Jock Soto, 1986, studio shot by Martha Swope @heathe

Heather Watts and Jock Soto, 1986, studio shot by Martha Swope @heather_watts_watts @jocksoto #nycb #balanchine #jocksoto #heatherwatts #kurtfroman #balletarchive

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kurtfroman. Suzanne Farrell and Peter Martins, “In G Major”, originally titled “Co

Suzanne Farrell and Peter Martins, “In G Major”, originally titled “Concerto in G”, 1975 #suzannefarrell #jeromerobbins #ingmajor #ensol #nycb #petermartins #kurtfroman #balletarchive

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kurtfroman. Jerome Robbins working with Suzanne Farrell during the creation of “In

Jerome Robbins working with Suzanne Farrell during the creation of “In G Major”, originally titled “Concerto in G”, 1975 #suzannefarrell #jeromerobbins #ingmajor #ensol #nycb #kurtfroman #balletarchive

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kurtfroman. Studio shots of a young Gelsey Kirkland, accompanied by Edward Villell

Studio shots of a young Gelsey Kirkland, accompanied by Edward Villella, 1970, photos you Martha Swope #marthaswope #gelsey #gelseykirkland #gelseykirklandacademy #nycb #edwardvillella #theme #themeandvariations #balanchine #kurtfroman #balletarchive

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kurtfroman. Gelsey Kirkland in “Concerto for Two Solo Pianos”, 1971, photo by Mart

Gelsey Kirkland in “Concerto for Two Solo Pianos”, 1971, photo by Martha Swope #gelseykirkland #kurtfroman #balletarchive

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kurtfroman. Suzanne Farrell and Peter Martins in “Chaconne”, 1976, photo by Martha

Suzanne Farrell and Peter Martins in “Chaconne”, 1976, photo by Martha Swope #nycb #chaconne #suzannefarrell #petermartins #balanchine #kurtfroman #balletarchive

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kurtfroman. Edward Villella, “Theme and Variations”, 1970, photo by Martha Swope,

Edward Villella, “Theme and Variations”, 1970, photo by Martha Swope, New York City Ballet #edwardvillella #theme #themeandvariations #balanchine #seamsandalterations #nycb #kurtfroman #ballet #balletarchive #marthaswope

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kurtfroman. (5/5) Gelsey Kirkland and Edward Villella in “Theme and Variations”, 1

(5/5) Gelsey Kirkland and Edward Villella in “Theme and Variations”, 1970, photo by Martha Swope, New York City Ballet #gelseykirkland #theme #themeandvariations #balanchine #seamsandalterations #speedyfootgelso #nycb #kurtfroman #ballet #ballerina #babyballerina #balletarchive #marthaswope #edwardvillella

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kurtfroman. (4/5) Gelsey Kirkland in “Theme and Variations”, 1973, photo by Martha

(4/5) Gelsey Kirkland in “Theme and Variations”, 1973, photo by Martha Swope, New York City Ballet #gelseykirkland #theme #themeandvariations #balanchine #seamsandalterations #speedyfootgelso #nycb #kurtfroman #ballet #ballerina #babyballerina #balletarchive #marthaswope

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kurtfroman. (3/5)Gelsey Kirkland in “Theme and Variations”, 1974, photo by Martha

(3/5)Gelsey Kirkland in “Theme and Variations”, 1974, photo by Martha Swope, New York City Ballet #gelseykirkland #theme #themeandvariations #balanchine #seamsandalterations #speedyfootgelso #nycb #kurtfroman #ballet #ballerina #babyballerina #balletarchive #marthaswope

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